![]() ![]() A humanitarian to the core, Webber is also associated with a wide range of charity organizations such as ‘Elton John AIDS Foundation’ and ‘Nordof Robbins’, among others. He aims to nurture future artistic talent and serves as the president of ‘Arts Education Schools London’. His theatre company ‘Really Useful Group’ is counted among the largest in the United Kingdom. From the epoch-defining ‘Jesus Christ Superstar’ to the haunting tunes of the superhit musical ‘Phantom of The Opera’, Webber has been an integral part of some of the most successful theatre productions of the last half century. ![]() In a career spanning over five decades, Webber has scaled phenomenal heights, both as a theatre producer and musician nonpareil. His oeuvre attests to the breadth of his musical knowledge, while indicating the level of impact he has had on popular culture. The recipient of numerous awards, including a peerage from Queen Elizabeth II, he is recognized as one of the most influential cultural icons of the twentieth century. His productions have witnessed a staggering success as they have run for over a decade at West End and Broadway. As he stood up from a lobby chair to walk back into the house, he said, “I do always love to hear it.Andrew Lloyd Webber is a masterful English composer and the director of several musicals. I’d rather write another show, and get ‘Cinderella’ here.”īut first, he had “Phantom” to open the next day. It’s an ordeal that could make for a chapter of the awaited sequel to his memoir, “Unmasked,” which follows his life and work only until “Phantom.” “Oh, I’m not writing that,” he said in the interview between rehearsals, adding with a puckish grin: “There’s too much I know. And when “Cinderella” at last debuted in the West End, its opening night was also a milestone for being that musical’s first performance for a full-capacity audience. During that time - and throughout the shutdown - he was one of theater’s fiercest and most outspokenly frustrated advocates. The more of that there is here, the more of an antidote it will be to what comes in the second act.”Īgain, this is uncommon such attention from a composer is more likely to be given to a new show, such as Lloyd Webber’s latest, “Cinderella,” which opened in London this summer after a series of pandemic delays. Say ‘One love, one lifetime’ as if you really mean it. He told Craig Bennett, who plays Monsieur Firmin: “It’s great fun if you can say ‘To hell with Gluck and Handel, have a scandal’ - it’s the inner rhyme, isn’t it? That’s the game, savoring every moment because there are some good lines there.”Īnd to Meghan Picerno and John Riddle, the show’s current Christine and Raoul, he said while running through “All I Ask of You”: “I think that what we’re perhaps not getting is that they’re like teenagers in love. ![]() Performances begin at the Imperial Theatre on February 17, with opening night set for March 23. In the scene leading up to “Prima Donna,” for example, he welcomed more joy and comedy. 21 hours ago &0183 &32 Andrew Lloyd Webber’s new musical Bad Cinderella has landed on Broadway. (The choreographer, Gillian Lynne, died in 2018.) “But I was very close to Hal on this.” “I’m one of the only ones left who was here on the ground floor,” Lloyd Webber later said. When some of the cast later came onstage - to rehearse the operatic set piece “Prima Donna” and “All I Ask of You” - Lloyd Webber at times seemed to be channeling Hal Prince, the show’s legendary director, who died in 2019, guiding the singers in their understanding and delivery of lyrics on a level as small as single words. ![]()
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